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Der Hölle Rache
For half a century Henle’s edition of the Beethoven sonatas – the “New Testament” of the piano repertoire – has been universally recognized as the standard starting-point for any serious study of these works
A collection of pieces which have been set for ABRSM's piano exams over the years
125 for flute and piano was written in 2004 at the request of Immanuel Davis
This view is supported by the fact that the voice leading of the clarinet (Duet l and 2 in C) is primarily in the clarino register whereas the chalumeau register seems to be avoided
Glazunov arr. Tanner: Three Miniatures Op. 42 (Flute & Piano) - Digital Download Mark Walton Der Hölle RacheAlexander Konstantinovich Glazunov (1865 1936) trained under Rimsky Korsakov and became the most illustrious Russian composer and conductor immediately succeeding Tchaikovsky. Glazunovs close affinity with the Saint Petersburg Conservatory, of which institution he would later become Director for more than two decades, placed him ideally to assist in the Institutes transition to the Petrograd Conservatory in the immediate wake of the Bolshevik
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