Avedon: Women Dorothy Miller The series is virtually devoid

The series is virtually devoid of human presence

Anna Weyant

The cloth hardcover is housed in a slipcase featuring the painting Fillette jouant avec une voiture (Paloma fond rouge) (1951) and the sculpture Petite fille sautant à la corde (1950)

The print belongs to a recent body of work that also includes paintings on linen and paper

the connotation of durability in the first term contrasts with the implication of change in the second

Avedon: Women Dorothy Miller The series is virtually devoidThis book was published on the occasion of Avedon: Women at Gagosian, Beverly Hills, and Davies Street, London, an exhibition featuring the distinctive and transformative images of women that Richard Avedon made over six decades. Ranging from celebrities and fashion models to friends, family, and anonymous females, Avedons subjects possess unconventional beauty and formidable intelligence. Produced in a dynamic, unbound, oversized format, the book is