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also recently restored
the attribution to Rubens is accepted by Jaffé and Held
suggesting that the site is a real one
Poussin stages the figures overlapping in a meticulously orchestrated arrangement
Probably painted in the late 1640s
Wooded landscape with a Water-mill Anthony also recently restoredThe group of buildings recurs with differences of detail in another painting by Hobbema of unknown whereabouts (Broulhiet, no. 219), suggesting that the site is a real one. Brown proposes a date in the early 1660s.
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