In Veneto, 1984-89 - Guido Guidi B&W and papers of warm tones

and papers of warm tones of both base and silver – Fomatone MG Classic

The film offers a broad range of half tones and soft light presentation which makes it suitable for photography and subsequent contact printing or “retro” style enlarging of negatives (photographs of still lives

silver-rich emulsion is coated onto a crystal-clear base and offers an excellent balance between image quality (sharpness/fine grain) and speed yield

found a night job as a commercial photographer and bought a few hundred rolls of film

tournées sur place dans les légendaires studios de Cinecittà

In Veneto, 1984-89 - Guido Guidi B&W and papers of warm tonesPublished by MACK In Veneto 1984 89 opens with a big eye framed in the blind of a shop window in Mestre, an eye which, by opening like a sort of warning, announces the origin of photography itself. This book contains a selection of hitherto unpublished photographs that Guidi took between 1984 and 1989, using a Deardorff 8X10. This was the first time he had used a large format camera for a whole project, which concentrated on an area in the central